A modern building with a thatched roof overlooks a vast savannah landscape at sunset. Two people stand on the roof, gazing into the distance. The warm light of the setting sun illuminates the structure and surrounding grass.
Masai Conservation Centre

Masai Conservation Centre

Masai Mara, Kenya

2024

Client   RIBA
Located at the southern gate to the Masai Mara National Reserve southwest in Kenya, the proposed visitor centre, exhibition and teaching facility is intended to bring a new focal point to the Reserve, while remaining subservient to the natural surroundings. The building is conceived as a series of interconnected indoor and outdoor rooms, arranged around a central courtyard, and under a shared roof canopy which provides shade, shelter, and formal cohesion.
A modern building with illuminated windows stands in an open field at dusk. The sky is cloudy with a warm glow on the horizon, creating a dramatic contrast with the dark landscape. A nearby water tower is partially visible.
A black and white sketch of an architectural structure with triangular roofs, stairs on each side, and small human figures. The design includes angled lines and a prominent arrow pointing right in the upper right corner.
A modern building with a thatched roof overlooks a vast savannah landscape at sunset. Two people stand on the roof, gazing into the distance. The warm light of the setting sun illuminates the structure and surrounding grass.
Masai Mara 001 03

The entrance to the centre draws directly from the architecture of Masai ‘enkaji’ huts, in which a ‘snail shell’ plan form encloses a doorway perpendicular to the building’s primary elevation. Externally this arrangement encourages visitors to approach along the façade before arriving at a sheltered entry – human activity animating the elevations. Internally this concept serves as a natural progression of the radially organised spaces around a courtyard.

A minimalist drawing depicting two rectangular buildings with tiny human figures for scale. The buildings have a simplistic, geometric design, each with a rectangular and circular opening. Below them are matching floor plans.
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The courtyard is the focal point of the main exhibition space, introducing day light into the centre of the plan, and creating opportunities for natural ventilation and outdoor cafe steating. An exposed timber frame defines covered outdoor spaces around the perimeter – trusses and natural stick cladding are the main architectural expression of the building. Each facade is composed of transparent and solid screen cladding, giving the overall elevation a semi-transparent appearance between trusses that references patterns found in traditional Kenyan ‘shuka’ garments.

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Internally all services, fixed elements and storage provision are consolidated into an elongated core, which also acts as a platform for roof spaces above, and a deep wall creating a degree of acoustic separation between public spaces and the classroom. This approach offers flexibility of internal arrangements, as partitions within the public areas can be rearranged to suit specific requirements.

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A rammed earth plinth encircles the perimeter to form exterior spaces directly adjacent to internal counterparts. The plinth helps ground the building, providing a degree of separation from the landscape to the north, and defines the approach ramps and steps to the south. Above this a braced timber frame supports the roof trusses that complete the structural system.

Isometric drawing of two geometric structures with triangular panels and angular frames. The panels are supported by a minimalistic framework, suggesting a conceptual or architectural design.
A tranquil landscape featuring a grassy field with a tree on the left. Two rustic buildings are in the middle ground, set against a backdrop of rolling hills under a partly cloudy sky at sunset.

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